knapplc
Active member
2 hours ago, Lorewarn said:
I'm armchairing this a little bit, but I think it's a combo of some factors:
#1 I think it's just such a surreal display and vantage point we aren't used to, and is lacking any kind of foreground element to orient us to scale or to a normal vantage point we would usually expect to see a tornado from (nearby houses, inside a car interior, etc.)
#2 I think there's some very subtle framerate 'trickery' going on. Hard to know without having the original file but if I had to guess it looks like the footage has been undercranked very slightly (playing back slower than 'real time'), and it also looks like the final video is at 30 or 48fps which feels uncanny when you're expecting 24. Similar phenomenon as the 'soap opera effect' on modern TVs.
#3 The lighting in the environment is almost too good, and exactly how you would/do try and light something like this if you were creating it with vfx. There's a ton of atmosphere and Incredibly soft diffusion from the cloud cover makes everything look a little dreamy and surreal and cinematic with no harsh highlights or shadows; this is a common compositing technique to try and blend different elements of renders together harmoniously. You can see this to some extent in this vfx breakdown from Arrival with shots that don't look all that dissimilar -
Obviously there was a real tornado doing real tornado things. I don't think Reed fudged the multiple vortices or the basic footage.
As a casual observer, I don't know what you mean by expecting 24 but getting 30 or 48. My initial thought was that it seemed surreal, and @Mavric apparently also thought so, which is why I tagged you.
Is there any reason to believe this isn't real? Just manipulated a bit in post?